Royal Blue Melody

In the course of history, sapphire has evolved beyond being a mere natural wonder to embody honor and authority. From ancient times, when it was imbued with mystical significance, to the medieval period, where it adorned the regalia of European royalty, sapphire's brilliance has remained undiminished over the millennia. Once set in the coronation ring of Edward the Confessor, this gem endured turmoil and displacement, facing destruction and dispersal, only to be reclaimed by royalty and eventually placed atop Queen Victoria's crown, continuing its legacy of magnificence.

AET REMOULD has decided to infuse the millennium-old sapphire saga into our latest creation, not just as a tribute to its radiant legacy, but also as an elevation and manifestation of the brand's craftsmanship and aesthetic philosophy. Just as sapphires require the passage of time and meticulous craftsmanship to unleash their unparalleled brilliance, an outstanding timepiece similarly necessitates our unwavering pursuit of craftsmanship and our steadfast commitment to timeless aesthetics.

Selected from the depths of the Earth, natural sapphires are not only wonders of nature but also witnesses of time. After undergoing over 50 rigorous selection criteria and meticulously chosen by gemologists with over 20 years of experience, the sapphires adorning the dial and bezel exude their deep and clear blue hue, narrating stories of glory, power, and sanctity.

Setting stones is not just a display of technique; it's also the creation of art. The new timepiece features 12 trapezoid-cut natural sapphires on the dial and 28 on the bezel. Each gemstone undergoes meticulous arrangement and precise setting to ensure both its durability and aesthetic appeal. Unlike the common circular bezels, the octagonal bezel of the new creation demands higher standards in stone polishing and alignment angles. During the manufacturing process, the sapphire scrap rate reaches an astonishing 50%.

Facing the challenge of setting stones in ceramic bezels, AET REMOULD's team of designers and engineers engaged in three months of intensive discussions and repeated experiments. They pioneered the world's first Ceramic Invisible Gemstone Setting (CIGS) technology, ultimately overcoming this hurdle. This is a highly demanding technique that tests patience and skill. All operations must be performed under a microscope, and on average, completing the setting of each bezel requires 600 hours of meticulous work.

AET REMOULD's second-generation HTP ceramic not only boasts a pure color and uniform texture but also possesses extraordinary hardness and comfort. Its outstanding characteristics perfectly complement natural sapphires. The new timepiece is crafted using the second-generation HTP ceramic technology for both the case and the bracelet. The dual craftsmanship of satin brushing and Runyu polishing further enhances the watch's texture and provides a soft touch akin to skin contact, offering wearers an unparalleled experience of luxury.

Ordering Process

All advertisements on the website are invitations to purchase and not offers to sell. AET Remould reserves the right, at its sole discretion, to accept or reject the order once the order form has been completed and submitted, and/or once the payment for the order has been made.

Receipt of your order will be confirmed via an automatic e-mail to the e-mail address associated with your account. Such e-mail is a confirmation that your order has been received by AET Remould but does not constitute acceptance of your order. AET Remould reserves the right at any time after receipt of your order and/or payment to accept or decline your order for any reason and will contact you at the e-mail address provided in the order form of its decision to accept or reject your order. In the event that AET Remould rejects the order, AET Remould will have no obligation to fulfill your order and you will have no obligation to pay AET Remould for the order. If payment has been made, AET Remould will contact you and refund the entire amount paid.

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